THEA 569 - Theories Of Acting & Directing

An introduction to major theorists and practitioners of acting and directing of the twentieth century, focusing on Continental Europe and the United States. As we study these practitioners, we will analyze and critique their answers to questions such as the following: Should an actor feel while performing? Should an audience be passive or active? How should directors conceptualize, rehearse, and produce their work? What techniques constitute effective actor training or rehearsal practice? To what extent is play production a collective work, or the statement of an auteur? We will pay particular attention to the legacy of naturalism and psychological realism, especially through the Stanislavsky System and Method acting. We will also explore theories of directors and actors who challenge a realistic approach to training, rehearsal, and performance. The course will be a mixture of discussion, hands-on exercises, and student presentations and workshops. Major course projects include a workshop/presentation applying theoretical work and final research paper on rehearsal, acting, or directorial practice. Variable credits. Alternating Spring semesters.