Evaluation
All MM degree candidates are reviewed at the end of each semester of study. Continuation in the program of specialization is contingent on satisfactory academic progress, as well as satisfactory artistic progress as judged by a committee of faculty experts in, or appropriate to, the candidate’s discipline.
Music History Specialization Additional Requirements
All music history candidates must demonstrate a reading knowledge of one foreign language (German or one romance language). Proficiency is demonstrated by translating a passage from a reading in the field of music, chosen by the music history faculty.
Students must also demonstrate piano proficiency by the ability to play a Bach chorale or an equivalent musical passage.
Thesis
All thesis recitals and roles must be approved in advance by the graduate committee and the performance be judged satisfactory by a thesis committee, consisting of the principal advisor(s) and two other faculty members.
Candidates in collaborative piano music present a graduating recital, for which at least half of the music must be newly prepared, i.e., not having been played previously for any other student’s recital. There must also be a mixture of instrumental and vocal repertoire.
Candidates in composition must submit a portfolio containing at least two substantial compositions; acceptability is judged by the thesis committee, consisting of the principal advisor and two other faculty members.
Candidates in conducting must conduct, in public performances, one substantial work (or concert segment) with a major ensemble and at least two additional appropriate performances.
Candidates in instrumental performance must present two recitals (minimum 45 minutes of music per recital), one of which must include chamber music.
Candidates in vocal performance must present at least 60 minutes of public performance in which the performer is a soloist. This must include a full-length (i.e., 45 minutes of music) recital, and other performances, which may include the following or their equivalent: A half- or full-length recital, a role in a fully staged opera production, a solo in an oratorio, or a performance of chamber music where the performer has a role as a soloist.
Candidates in music history must submit an acceptable written thesis that demonstrates knowledge of appropriate research techniques. Acceptability of the thesis is judged by a thesis committee consisting of the principal advisor and two other faculty members, and an oral defense of the thesis must be made before the same committee.
Candidates whose field of specialization is opera must perform either one leading/featured role or two supporting roles (according to AGMA’s Schedule C) in fully staged opera productions. In addition, opera majors must present a full-length (i.e., 45 minutes of music) recital.